The Silence
of the Lambs
One can quickly tell that this poster is of a thriller or of another
movie which genre relates to suspense. Its dominating colours are white and
black; they both associate with death and create a sensation of the sinister
presence. The title is in red, which relates to violence, more specifically
blood. And of course there is an insect with a mark looking like a human skull
in the centre of the picture.
These signs make the first impression on the audience to clarify that
the plot will be dark and frightening. However, there are some less obvious
factors of the poster which complete its mise-en-scene. The combination of dark
brown colours creates feelings of depression and despair. There is a bit of
yellow right in the centre which helps to grasp the visual focus of an observer;
yellow colour is the most noticeable. The girl’s white skin aligns with the
paleness of a corpse. Her eyes are widely open, still and emotionless. The
presence of a large, fury mole on her lips arises disturbance and disgust, which
she doesn’t express as a normal person would; her facial expression is
absolutely flat. The light divides the image into the visible part and the area
covered by the girl’s shadow; such sharp, bright lighting is similar to those
used in morgues. Together these details persuade that the picture is of a dead
body. Because girls are generally more fragile and kind than men, the audience
considers her to be an innocent victim and is thrilled by the injustice of her
death. The darkness which surrounds her head makes her character mysterious.
The face used for the shot, which I assume belongs to Jodie Foster, is
very pretty despite that not all of it can be seen. After observing the
actress’s sharp chin and cheek bones, narrow eyebrows and neat nose, one gets
the desire to see her in motion. Beauty always attracts attention and causes
interest, especially when put in such contrasting contexts as death and
hostility. Her eyes are red, this
confuses since she was assumed to be a victim, but the red eyes are associated
with villains, so it creates another small intrigue and a reason to watch the
movie.
Since it is the most popular Jonathan Demme’s thriller and worldly approved
classic, the poster’s effects on the modern public will be limited by
increasing its excitement before the review (because generally the spectators
will already be familiar with the characters and the storyline). Back in 1991
however, when nobody yet heard of Dr. Hannibal Lecter and people knew only that
the movie is about psychos and cannibalism, such an unusual design of the announcement
poster should have caused appearance of many questions related to the plot,
intrigued the viewers and attracted a lot of attention, which is the main
purpose of the first poster. It is a perfect example of how the mise-en-scene
is used to interest the public before the product’s release, so the sales are
higher when it enters the market. The title “from the terrifying best seller” suggests
that it is a high budget and a high quality movie if it was permitted to use a
successful novel for its storyline. This increases the public’s expectations
and improves the ratings of a film. Clearly written names of the popular actors
prove the same point; Hollywood stars would not agree to participate in
something that could worsen their reputation. They also attract fans and help
to win the competition for consumers against films with less promoted casts.

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